My philosophy centers on pushing the boundaries of traditional guitar design.
My work explores innovative techniques and alternative approaches, resulting in instruments that offer a unique sonic character and aesthetic appeal.
My guitars are a testament to the evolving possibilities within lutherie.
Featuring insights into how I built them
Deep-bodied OM, double-X-braced soundboard
4 lb 17" jumbo with laminated bracing, arm bevel
Shoulder port, fountain braced, arm bevel, open headstock, D-Tube neck, elevated fretboard, pinless bridge, zero fret
Shoulder port, mitre braced, "curve-away", arm bevel, D-Tube adjustable neck, elevated fretboard
Carbon fiber and Spruce laminated bracing, D-Tube neck
TurboTail, "fan" bracing, arm bevel, D-Tube swappable neck, pinless bridge
Gain insight and benefit from my experiences
This article is being written and edited in real time, as I embark on a journey to not just fix and return to playability this 1972 Martin D-18, but to improve it. My goal is to coax as much sound from this guitar as I can. I wish to make use of the original components as much as possible, only replacing what I deem absolutely necessary.
This hollow carbon fiber truss rod alternative has been specifically designed to stabilize instrument necks with its unique profile. The D-Tube Neck Beam™ significantly increases bending and torsional stiffness and weighs less than the wood it replaces.
A hard look at the significant force applied to four components of the acoustic guitar, the issues that arise as a result, and thoughts on what to do about it.